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11-02-2015, 04:35 PM
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This is a list of some of the ancient and contemporary Persian dances, from various ethnic groups within Iran.

Baba Karam, a chain dance, derived from a Sufi story whereby a servant at the court of the king falls in love with one of the harem girls and sings this song out of grief of not being able to be with her, was traditionally featuring male dancers but nowadays also performed by women, also sometimes Baba Karam refers to as a term for contemporary Persian Hip-Hop dancing.

Bandari dance, a chain dance, often referred to as "Persian belly dancing" refers to the style of dancing indigenous to Southwestern, Bandar region of Iran influenced by the African and Arabic music and dance. The distinct feature of this dance is the way performers wave their hands in a unique manner that resembles the cooperation of a group of fishermen at the sea.

Basseri dancers in their colorful clothes
Basseri dance is a traditional dance performed by the Basseri tribe who live in the Fars province.The dancers wear their traditional and colorful clothes.

Bojnordi dance, Bojnord is a village in the northeast section of Iran inhabited by a Turkic people. Men and women dance separately or together in Bojnordi dance, snapping their fingers in the method known as peshkan. Dancing in a circle with running and step hop steps, the dancers may turn alternate directions facing first one side then the next, dancers sometimes facing one another. Men or women may dance and wave small colorful scarves, called dastmal.

Choob bazi, also known as chob bazi, chub-bazi, çûb-bâzî or raghs-e choob a chain dance found all over Iran, performed by men with sticks, the name translates to English as 'stick play'. There are two types of Choob bazi dance styles, the first one is more combative in style, only performed by men (normally only two men, assuming the roles as the attacker and the defender) and does not appear to have a rhythmic pattern, this style is more frequently found in Southwestern Iran. The second style Choob bazi is a circle or line dance with pattern, performed by both sexes and is more of a social dance.

Classical Persian court dances, solo dances, improvisational, often utilizes delicate, graceful movements of the hands and arms with animated facial expressions are central to the concept of that difficult-to-define flirtatiousness, Persian classical dance has not been organized and codified. Thus each dancer creates her own style and improvises within a recognizably Persian framework of movements.[4] Costumes for these types of dance are featuring rich silks, brocades and flowing long skirts.

Haj Naranji dance, an upper body motion is emphasized, with hand motions, trunk undulations and facial expressions being points of attention

Jâheli or baba shamali, dance popularized in the 60s and 70s by the known Persian dancer Jamileh. Jâheli part of an Iranian sub-culture that has its origins in 9th and 10th century, a period when Turkic and Mongol tribes seeking pasturage and pillage, formed an incursion in eastern Iran. Local, informal constabularies were formed to protect each town or village and the men of these groups, called jâhel (meaning “ignorant” in Farsi), along with women, developed a culture and dance with a mixture of street smarts and spirituality.

Khaliji dance, contemporary dance done in largely improvisational, performed by pairs or groups of women for their own entertainment at special celebrations, such as weddings. Also a term used to describe a type of Khaliji music from the Persian Gulf region.

Kereshmeh dance, solo, 19th Century Iranian royal court dance.
Kharman dance

Khorasani dance

Latar dance

Le’b Guati, a spiritual dance by the Baluchis of Eastern Iran in order to rid a person of a possessing spirit.

''Lezgi dance'', Azerbaijani and Caucasian folk dance, comes in variations of styles based on region.

Luri dance

Matmati

Mazandarani dance

Motrebi dance, professional public dancers from the Qatar period, sometimes also prostitutes or party entertainment. In contemporary Iran this is a dance associated with low-class nightclub performers.

Qasemabadi, also known as Ghasem Abadi, is a chain genre, rice-harvesting dance of the Gilaki people from the Gilan province of Iran near the Caspian Sea.

Raghs-e-Pa, also known as Raqs-e Pa or Pay-Bazi, the term for the traditional gymnasium foot work dance found at zurkhaneh (a traditional Iranian gym), name translates to English as 'foot dance'.

Raghs-e-Pari, Persian fairy dance.

Raghs-e Parcheh, Persian veil dance.

Raghs-e Sharqi, belly dancing.

Ru-Howzi, a comic theatre performance on domestic life includes some dancing.

Sama-o-raghs, a spiritual Sufi dance of joy, involves chanting, dancers move to the rhythm of the music often continuing until they fall into a trance or collapse from exhaustion.

Shamshir dance, war dance involving a sword, also known as Shamshir-bazi;usually performed in Sistan and Baluchestan province.

Shateri dance, classical Persian dance often compared to Arabic dance however Shateri is without any hip movements.

Tehrani dance, also known as Tehrooni, Tehran-style nightclub dancing.

Vahishta, a Sufi, spiritual dance.

Yalli, also known as Yally or Halay, an Azerbaijani chain folk dance, starts slowly and finishes fast at almost running speed. Traditionally it was a celebration of fire, which was a source of heat, light, and warm food. In ancient times dancers worship fire as a goddess.

Zaboli dance, a folk, chain dance, from the Sistan and Baluchestan Province in Southeastern Iran.

Zār, a spiritual dance, from Southern coastal regions of Iran, people believe in the existence of winds that can be either vicious or peaceful and possess people. They are healed through a specific ceremony and dance.

Zargari dance, a chain dance, from the Zargari people, a Romani-related ethnic group deriving from Zargar, Iran area.
Notable Persian dancers